CONTINUING EDUCATION, 1 CE Credit – $9.99, 1 Hour, General Knowledge, Level 1, Release date: October 2007, Expiration date: October 31, 2012

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FRAME FITTING

Do These Glasses Make My Nose Look Big?

When posed with the question of which frame he would recommend over another, one dispensing Optician declined to answer, thinking it was a matter of subjective opinion. That was a shame, because the patient wasn’t asking for an opinion, they were really looking to someone for their expertise.

When making cosmetic recommendations to patients, you may find yourself in a similar situation. Here are a few suggestions about how to deal with it.

Types

Consider your patient’s type of look. You may want to come out and ask them or you may want to probe more gently, but the idea is to refine the look the patient is trying to achieve. Whether subtle, traditional, contemporary or bold, chances are that you have something to help them achieve that particular look.

Comfort Level

Why not be direct? It’s important to understand that some patients will love talking about themselves and their appearance. It’s only natural for them to be interested in how they look. Others will be less comfortable carrying on about themselves. With this type of patient, the idea is to speak a little more about value, optics, and appropriateness of frame size, shape, and color.

Same or Different

As you get started, it’s a good idea to determine if a given patient is looking to maintain or change their look. Is the patient wearing a subtle design and looking to continue that? Or are they sporting a conservative frame and now wanting something more expressive?

Previous Pair

The patient’s last pair of glasses can often be an easily overlooked way of determining how to satisfy them this time around. Remember that patient who was reticent to talk about himself? Chances are they will have no trouble telling you exactly what they liked about their last eyeglasses. Be prepared to hear what they didn’t like too, and be sure you have your lens toolbox ready mentally. Taking points from the previous pair will often put you on the path to recommending. It also puts you in the role of the expert, someone to listen to previous problems and offer solutions for improvements.

Cosmetic or Technical

There’s something else valuable about discussing the previous pair. It gives you an opportunity to consider the intersection of cosmetic and technical factors. Examples of this are limitless.

Examples of Cosmetic Meeting Technical

Were the patient’s last glasses thick or thin? Did a high index material adequately reduce lens thickness? Were aspheric lenses noticeably slim? How about lens decentration in the last pair? Is this something of concern for the new pair? How much did frame size contribute to thick lenses at the edge? Which shape might work better this time? Were the temporal edges of those long rectangular lenses of concern?

Several Factors

Take a look at the lens thickness of a rectangular frame with prescription lenses, and you can easily judge the level of success with the use of high index, aspheric lenses, and minimal decentration (the amount to which a lens needs to have its optical center moved to coincide with the patient’s inter-pupillary distance). With the lenses in the frame, it’s possible to see how these factors work together to determine the thickness of the finished lenses. You may see opportunities for improvement.

Frame Shape

With so much material already available about matching frame shape to the shape of the patient’s face, I’ll leave that to others. Still, there are a few points about particular frame shapes you may find valuable. Long, narrow rectangular lens shapes - popular in many frames right now - may leave you with thick edges for minus lenses at the patient’s temples (or thick edges of plus lenses at the nasal).

Round frames are your best choice to combine with the thinnest available lens material, when aggressively taking steps to reduce thickness of high power prescriptions where lens thickness is a significant issue. Round shapes may be a little severe, so in some instances an oval may be your second choice. A better solution with the high power Rx might be to retain the round shape and use a very light color to keep the frames nondescript.

Aviator shape frames are another illustration of the fact that cosmetic and technical recommending can go hand in hand. While some might assume that frame shape is a cosmetic matter, experienced dispensers are aware that aviators may be troublesome for progressive addition lenses (PALs), because this shape frame may interfere with natural vision in the near zone.

Building Attractive Eyeglasses

Remain the expert, and start with lenses first. Once you have an idea of lenses to go into the frame, it is time for you to consider how the patient’s prescription will look. As an eye care professional, the patient needs you to interpret the fact that decentered minus lenses become thicker at the temple, and decentered plus lenses become thicker at the nasal. Don’t blow it. This is the time for recommendations, not technical dialogue between you and the patient.

Easy Does It

Patients don’t look at thousands of eyeglass frames like ECPs do. So the best thing you can do is use your experience and knowledge to help them come up with the best lenses and frames, something you can do for them much more quickly than they can do for themselves. In general, the choices you can make are simply more refined than those of the patient, which means they will respond enthusiastically when you show them something extraordinary.

So help the patient refine those fuzzy ideas into something tangible – and wearable. When it comes to color, easy does it. Too much color is usually overpowering. For example, suppose a patient has an inkling for a demi-amber or tortoise metal or zyl frame. The patient may respond to the fact that these frames have a depth of colors. They may find the frames have a “natural” color palette. Your role is to demonstrate some good examples. The patient may have thought all tortoise was alike, for example, and walked out of the office with much too dark of a frame.

Types of Lines

The shape of an Ophthalmic frame may be thought of as a line (as opposed to color or texture), lending the frame character. Types of character might be soft, subtle, uncluttered, refined, busy, or bold.

Round or square frames may be too severe for some tastes. The idea is to think not so much about frames as things, but to consider the qualities of the frames.

The author once updated a patient’s eyeglasses by suggesting she change from a large zyl rounded oval frame to a smaller, bright red, angular design. The smaller frame thinned out and lightened the patient’s modest prescription. The brighter color was more appropriate to the patient’s age (the previous glasses made her look older), and the busy angles of the frame contrasted nicely with curve of the patient’s face.

Play Up Colors

A technique to get you well on your way to making informed cosmetic recommendations is to take a good look at a patient’s hair color and see if you can notice any highlights or variation in color, then recommend Ophthalmic frames to them one shade lighter than the lightest color of their hair.

Picking frames this way allows you to quickly identify a frame that will “disappear” on the patient’s face. Combine this with a premium anti-reflective lens, and you will have done that patient a favor. You will have found a frame they will not tire of wearing.

Lighter is usually better than darker, when it comes to frames. There are a few reasons for this. Too-dark of a frame means you see too much of the frame before observing the person, also most people lighten their hair color because it softens their appearance, and finally, hair color usually darkens over time (look at pictures of yourself as a child), so a lighter appearance may register as more youthful.

Silver

For the grey, white, or silver haired patient, you need not fret. Offer them similarly colored fames, or else something to harmonize with their skin tone or eye color.

If you do recommend silver frames for grey haired patients, be sure to favor muted tones over a harsh chrome.

Blonde patients may instinctively gravitate toward silver frames as more interesting than their own hair color. It would be well worth the patient’s while for you to show a blonde patient a yellow, green, or gold frame in a muted tone, lighter than their hair color.

Types of Looks

While each pair of eyeglasses is in fact a custom made item, presenting you with an opportunity to best interpret that patient’s needs and tastes in a cosmetic and technical manner, looks come in a few distinct categories. It is not necessary for you to verbalize the categories described here, just keep them in mind as you interact with the patient.

As you go about combining lenses and frames, features and functions, you will be most successful proceeding by reading the patient’s tastes and furnishing eyeglasses fitting that image. Often, you will be better able to do this than the patient himself. Through active listening and observation, you will help your customers find a look that appeals to them, and just feels right.

A patient may respond to a more traditional look. Such a look may convey a sense of permanence, an established look saying “I am not frivolous.” In light of the present economic climate, it would not be surprising for more patients to find value with a more timeless look.

On the other hand, a patient’s tastes may lean in a more contemporary direction, less rooted in the past. This look is up to date without being overly modern or traditional.

For tastes running in other directions, you have frames at your disposal. When providing your patients more trendy or bold options, pay close attention to how these options look. Often, vivid color and bold designs look more appropriate than conventional wisdom would suggest.

Harmony and Contrast

Spend some time looking at a color wheel and you may make a few observations that will be a big help when recommending to patients. Complimentary colors are colors opposite one another on the color wheel. Blue and orange come to mind, explaining why a gentleman with red hair might look good in a blue plaid shirt. This principle can also be applied to his eyeglasses, and might help you decide how to obtain a look that stands out or one that fades away.

Red and green and yellow and purple are other examples of complimentary colors, but you can also find harmonizing or complimentary colors for any color on the wheel. Red hair and green or turquoise clothing are another classic example, applying these same principles to other colors will allow you to hone your skills.

Putting it Together

At first blush, technical and cosmetic recommending may seem mutually exclusive, but once you determine the patient’s needs, a process begins, involving technical and cosmetic factors.

Don’t be intimidated by the intersection of technical and cosmetic recommending. The result is a pair of eyeglasses to improve vision, to be enjoyed, and to be seen. Sometimes you’ll want to make the eyeglasses “disappear,” other times, you’ll make them stand out.

The lens materials and frames you recommend should be thought of as elements of a finished product. Each choice that gets made, each property (like high index and aspheric lenses) contributes to an outcome. Be sure to combine these factors with one another, and present the best cosmetic and technical choices to the patient. It’s a sophisticated process, but when done well, it is rewarding for dispenser and patient alike.

Timothy Coronis
ABOC/NCLE 

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